Nothing Is Off-Limits in Hirokage’s Humorous Ukiyo-e Prints by Claire Voon from Hyperallergic

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Many artists during Japan’s Edo period designed ukiyo-e woodblock prints, but the works of Utagawa Hirokage stand out from many of these “pictures of the floating world” for their affinity for the absurd. A student of the famed Utagaway Hiroshige, Hirokage is perhaps most known for an incredible triptych of a battle between fruits, vegetables, and fish — but also for a successful series he published around 1860 titled Edo meisho doke zukushi, or Joyful Events in Famous Places in Edo. The 46 images set in present-day Tokyo are simply bizarre: scenes of a tiny octopus attacking people on a beach or of foxes carrying pumpkins are so ridiculous you can’t help but chuckle. Hirokage, in a sense, was churning out the memes of his time.

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Human Anatomy as Portrayed in Woodblocks of 19th-Century Kabuki Actors by Allison Meier on hyperallergic.com

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http://japanesewoodblockprints.library.ucsf.edu/

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A stitch in time – Chester Beatty Blog

Chester Beatty Conservation

In August this year, a digitisation team from Ritsumeikan University’s Art Research Centre in Japan will travel to the Chester Beatty in order to digitise our Japanese printed book collection. The collection includes more than one hundred woodblock-printed illustrated books from the Edo period (c. 1603–1868). International collaborations with teams such as this one are key to enabling digital access to our collections, which in turn reduces the need to handle these objects so frequently ensuring their preservation.

A short condition survey of the selected items was carried out which highlighted a number of volumes with damaged and weakened sewing. As the sewing of these bindings is integral to their structure, it was essential that we carry out repairs to make the bindings suitable for handling during the digitisation process.

The fragmentary sewing was reinforced with lengths of new soft linen thread. This was joined to the existing silk or…

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Leaving His Mark on an Ancient Art: Arabic Calligrapher Honda Kōichi Culture – www.nippon.com

 

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Honda Kōichi Arabic calligrapher. Born in 1946 in Kanagawa Prefecture. President of the Japan Arabic Calligraphy Association and a professor of international relations at Daitō Bunka University. In 1969, graduated from Tokyo University of Foreign Studies, where he studied Arabic. Joined the Pacific Aerial Survey Co. in 1975 and spent the next five years in the Middle East, where he picked up the basics of Arabic calligraphy. Continued to study calligraphy on his own after returning to Japan under the long-distance guidance of Turkish calligrapher Hasan Çelebi, from whom he received his “Ijaza” diploma as a master calligrapher in 2000. Has won numerous awards for his work, starting with the Jury’s Encouragement Prize at the 1990 International Arabic Calligraphy Contest. His published works include Pasupōto shokyū Arabiago jiten (The Passport Beginner’s Arabic Dictionary), Arabiago no nyūmon (An Introduction to Arabic) and Arabia moji o kaite miyō yonde miyō (Try Writing and Reading Arabic), as well as a collection of his calligraphy works titled Arabia shodō no uchū (The Universe of Arabic Calligraphy).

More: http://www.nippon.com/en/people/e00028/