EL SEED SPOKE BY PHONE
FROM HIS DUBAI STUDIO
Let’s start with “calligraffiti.” There are quite a few artists who do it now. Did you coin the term?
No, to be honest with you, this is a term that has been used the first time in New York for a show, I think in ’84. A show created by Jeffrey Deitch for some calligraphy artists and some graffiti artists from New York. He had this vision 30 years ago that calligraphy and graffiti would merge together. To be honest with you, me today, I don’t even use this word to define myself. I’m just using calligraphy in my artwork. I do sculpture, I do canvases, I do art installations. I’m trying to get out of the box that I think I used to be in a few years ago.
Honda Kōichi Arabic calligrapher. Born in 1946 in Kanagawa Prefecture. President of the Japan Arabic Calligraphy Association and a professor of international relations at Daitō Bunka University. In 1969, graduated from Tokyo University of Foreign Studies, where he studied Arabic. Joined the Pacific Aerial Survey Co. in 1975 and spent the next five years in the Middle East, where he picked up the basics of Arabic calligraphy. Continued to study calligraphy on his own after returning to Japan under the long-distance guidance of Turkish calligrapher Hasan Çelebi, from whom he received his “Ijaza” diploma as a master calligrapher in 2000. Has won numerous awards for his work, starting with the Jury’s Encouragement Prize at the 1990 International Arabic Calligraphy Contest. His published works include Pasupōto shokyū Arabiago jiten (The Passport Beginner’s Arabic Dictionary), Arabiago no nyūmon (An Introduction to Arabic) and Arabia moji o kaite miyō yonde miyō (Try Writing and Reading Arabic), as well as a collection of his calligraphy works titled Arabia shodō no uchū (The Universe of Arabic Calligraphy).