Did you know that Ibn Sina’s “Canon of Medicine” was used as a standard medical textbook in European universities for 700 years?

Ismailimail

Ibn Sina (d.1037 CE) or Avicenna, as he is known in the West, was a physician, natural philosopher, mathematician, and poet, who  wrote a five-volume encyclopedia that brought together the medical knowledge of Aristotle (d.322 BCE) and Galen (d. ca. 216 CE) with the advances in Chinese medicine of his time. More at Aga Khan Museum and The Institute of Ismaili Studies (links accessed  September 2017).

All related

View original post

Advertisements

A Judeo-Persian epic, the Fath Nama (Book of Conquest) – British Library Blog

By Ilana Tahan, Lead Curator Hebrew and Christian Orient Studies

While art historical research has focused on the beauty and splendour of Persian miniature paintings, the study of Judeo-Persian manuscript art has lagged behind, receiving only more recently the attention and recognition it deserves. These paintings form part and parcel of manuscripts that have been copied in Judeo-Persian, that is a language that is a combination of Persian, Hebrew and Aramaic written in Hebrew script. The major obstacles to studying these significant hand-written books have been a lack of knowledge of the language, unfamiliarity with the Persian and Judeo-Persian literary traditions, and also with the history of Persian manuscript art in general.

While art historical research has focused on the beauty and splendour of Persian miniature paintings, the study of Judeo-Persian manuscript art has lagged behind, receiving only more recently the attention and recognition it deserves. These paintings form part and parcel of manuscripts that have been copied in Judeo-Persian, that is a language that is a combination of Persian, Hebrew and Aramaic written in Hebrew script. The major obstacles to studying these significant hand-written books have been a lack of knowledge of the language, unfamiliarity with the Persian and Judeo-Persian literary traditions, and also with the history of Persian manuscript art in general.

6a017ee66ba427970d01b7c9243b8f970b-800wi

More: http://blogs.bl.uk/asian-and-african/2017/09/a-judeo-persian-epic-the-fath-nama-book-of-conquest.html?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+asian-and-african+%28Asia+and+Africa%29#

Further reading
Moreen, Vera Basch, Miniature Paintings in Judaeo-Persian Manuscripts (Cincinnati: Hebrew Union College Press, 1985), pp. 40, 49-50.
Moreen, Vera Basch and Orit Carmeli, The Bible as a Judeo-Persian epic: an illustrated manuscript of Imrani’s Fath-Nama (Jerusalem: Yad Ben-Zvi Press, 2016). On Ms 4602 of the Ben-Zvi Institute in Jerusalem.
David Yeroushalmi, Emrānī”, in Encyclopædia Iranica (1995).

 

eL Seed’s New Scripts – Interview by Johnny Hanson for ARAMCO WORLD

text-top
EL SEED SPOKE BY PHONE
FROM HIS DUBAI STUDIO
Let’s start with “calligraffiti.” There are quite a few artists who do it now. Did you coin the term?
No, to be honest with you, this is a term that has been used the first time in New York for a show, I think in ’84. A show created by Jeffrey Deitch for some calligraphy artists and some graffiti artists from New York. He had this vision 30 years ago that calligraphy and graffiti would merge together. To be honest with you, me today, I don’t even use this word to define myself. I’m just using calligraphy in my artwork. I do sculpture, I do canvases, I do art installations. I’m trying to get out of the box that I think I used to be in a few years ago.
elSeed
B_SP1_Group_Assabah_MedinaTunis_hr.jpg

 

More: http://www.aramcoworld.com/en-US/Articles/July-2017/eL-Seed-s-New-Scripts

On Contemporary Extremism and Cultural Oppression

Featured Image -- 2347arielle1_webarielle2_webarielle3_web

iwa

In Medieval times, discrete attempts to diverge from authoritative ideology were tolerated by the Islamic ruling class for art’s sake, fostering a more liberal and independent society of artists. With the emergence of ISIS, we witness the complete suppression of critical thought and freedom of thinking

by Arielle Blattner
Graphic designer and MA Student of Islamic Art

As long as there have been religions, there have been sects. As long as there have been religions and sects, there have been vicious wars between sects. No matter which division, the proclamation of faith written on the flag of ISIS lā ilāha illā allāh (“There is no god but Allah”) is the same phrase written on Islamist medieval coins since the 8th century, and continues to be seen on the flag of ISIS. In addition to spreading Islam being the main goal of these regimes, the suppression of free thought (whether non-muslim…

View original post 694 more words

The Conferences of the Birds

iwa

The encounter between fashion design and a mystical Persian poem: Conversation with Moroccan fashion designer Said Mahrouf

Interview

The Conference of the Birds, also known as The Language of the Birds is certainly the most celebrated work of the twelfth-century Persian poet, Farid al-Din Attar.
It tells the story of a flock of birds that set out to seek their king and god, the Simurgh. Only thirty of them survive the perilous path, on which they traverse seven dangerous valleys and reach their ultimate destination: a lake. There they see their image mirrored in the water and recognize themselves as the very god they were seeking.This mystical poem clearly lends itself to numerous interpretations and, even if the author is not himself a Sufi,, the tale is full of Sufi references and meaning.
The mystical and evocative nature of the plot has its visual counterpart in an exceptional medieval…

View original post 1,000 more words

A 17th century copy of Saʻdi’s collected works from the British Library Blog

The Persian writer and poet Musliḥ al-Dīn Saʻdī of Shiraz (ca.1210-1291 or 1292) are without a doubt one of the best-known and most skilful writers of classical Persian literature. With an established reputation even during his lifetime, his works have been select reading for royal princes and ʻset textsʼ for more humble students of Persian the world over. It is hardly surprising then that a corresponding number of deluxe copies survive of his works. A previous post (What were the Mughals’ favourite books?) described some copies of his best known works, the Būstān (ʻFragrant Gardenʼ or ʻOrchardʼ) and the Gulistān (ʻRose Gardenʼ), in the Library’s collection. Another sumptuous manuscript, which has also been digitised, is an early 17th century copy of his Kullīyāt (ʻCollected Worksʼ)IO Islamic 843 which was completed in 1034 (1624/25) by Maḥmūd, a scribe of Shiraz (al-kātib al-Shīrāzī), during the reign of Shah ʻAbbas (r. 1588-1629).

6a017ee66ba427970d01b7c8f16381970b-500wi6a017ee66ba427970d01b8d27bc8a9970c-500wi6a00d8341c464853ef0191025228ce970c-580wi

6a017ee66ba427970d01bb09949ae2970d-580wi

6a017ee66ba427970d01bb09949979970d-300wi

6a017ee66ba427970d01bb09949960970d-300wi

Very little is known about the poet’s life. Born in Shiraz, Saʻdī left his hometown to study in Baghdad. After a period of study at the Nizamiyah Madrasah, Baghdad, he set off on travels that lasted over thirty years. His experiences and adventures found their way into his writings, including being a prisoner of the Crusaders in Syria, visiting Kashgar, and killing a temple priest at Somnath in India. Many of these tales, however, have been proved to be anecdotal rather than biographical. Saʻdī returned to Shiraz in 1257, already a widely recognised poet and completed his two most famous works: the Būstān in 1257 and the Gulistān in 1258. These two works of poetry and prose respectively, contain anecdotes from the life of the author, moral teachings, and advice for rulers. Many stories communicate elements of Sufi teachings through their dervish protagonists. Other works reflect the changing political situation in Shiraz. Several of his poems are dedicated to the Salghurid dynasty, which ruled in Fars from 1148 to 1282, while later works are addressed to their successors the Mongols and their administrators.

More: http://blogs.bl.uk/asian-and-african/2017/04/a-17th-century-copy-of-sa%CA%BBdis-collected-works-io-islamic-843.html?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+asian-and-african+%28Asia+and+Africa%29

A glimpse into the unseen creative studios of Hackney, East London from Creative Boom by Emily Gosling

A beautiful new photo-book lifts the lid (or creaky door) to a number of studios in Hackney, east London, presenting a fascinating insight into the lives of these creative types for all those voyeurs who prefer to be carefully ensconced behind their coffee tables.

1ceab2442a56a10f05fb9fd3986f930323405c7c_86057854beeb6972373fcd2c4e37de331597cc60606_8605775c1ebef7fc5bed34439ae592de965c9b99361_86090bf32bc7f477286c7f71d5937ecb1ca36c79527_86085d8cb23c9031aa9d930e9a8a8b95602648294dd_86065dd4cb87cdd66554ee3b97c2fff090410c8e48e_8607f8d491a9254ca58ee8c49cad12175d7b0b4cde1_86003f3ae90a30b99192b3dda843c5445b2d8e99326_860

More: http://www.creativeboom.com/inspiration/a-glimpse-into-the-unseen-creative-studios-of-hackney-east-london/