These Intricate, Hand Built Suits of Armor Are Fit for a Cat from MAKE

Jeff De Boer’s prowess with metal should come as no surprise. The son of a tinsmith, Jeff’s early artistic talent and access to metalworking tools led him to build a suit of armour in high school with the intention of wearing it to graduation.

Today, the Calgary-based artist is best known for a series of cat and mouse armour he began in college nearly 30 years ago and has continued to expand and refine.

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More: http://makezine.com/2017/03/24/cat-and-mouse-armor/

The Evolution of Chromatic Type by JAMIE CLARKE from ilovetypography.com

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Colour fonts or chromatic type are not new. The first production types appeared in the 1840s,1 reaching a peak of precision and complexity a few decades later as efficiencies in printing enabled greater creative freedom. In 1874 William H. Page of Greeneville, Connecticut, published his 100-page Specimens of Chromatic Type & Borders2 that still has the power to mesmerise designers today.

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More: http://ilovetypography.com/2017/04/03/the-evolution-of-chromatic-fonts/

Stunning Miniatures by Joshua Smith from Fubiz

Joshua Smith creates marvelous urban miniatures very detailed. His works also include graffiti, posters, even street signals and the texture of ruined building. These artworks are an hommage to neglected buildings and abandoned areas in the city. More artist’s works here.

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More: http://www.fubiz.net/en/2017/04/03/stunning-miniatures-by-joshua-smith-2/

“Architecture of the Portrait”: Illustrations by Francisca Álvarez Ainzúa from Arch Daily

Chilean architect and illustrator Francisca Álvarez Ainzúa created “Architecture of the Portrait”: a series of illustrations of renowned architects drawn with the precision and accuracy of a fineliner. In order to choose the protagonists of her geometrical analyses, the architect states a preference for strong character and the presence of imperfections, which imparts a certain richness to the representation.

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The architectural construction of the face is done using lines to create a hatch effect. Next, she adds color that pays tribute to the traditional default CAD shades: yellow, cyan and magenta.

More: http://www.archdaily.com/868255/architecture-of-the-portrait-illustrations-by-francisca-alvarez-ainzua#_=_

On display in the Treasures Gallery: Humayun’s meeting with Shah Tahmasp from The British Library Blog

In conjunction with the British Library’s Learning Team, we recently held a very successful study day:  Mughal India: Art and Culture. To coincide with the event, we have installed three new ʻMughalʼ manuscripts in the Sir John Ritblat Treasures Gallery. These are: A Royal copy of Nizami’s ‘Five poems’, dating from Herat, ca.1494 (Or. 6810, f. 3r), A mother rebukes her arrogant son, a copy of Saʻdi’s Būstān dated at Agra, 1629 (Add. 27262, f. 145r) and, the subject of my post today, Humayun received by the Safavid ruler Shah Tahmasp of Iran, from Abu’l-Fazl’s Akbarnāmah, dating from Agra, ca. 1602-3 (Or. 12988, f. 98r).

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More: http://blogs.bl.uk/asian-and-african/2017/04/on-display-in-the-treasures-gallery-humayuns-meeting-with-shah-tahmasp.html?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+asian-and-african+%28Asia+and+Africa%29

An artist is pasting images of paintings from museums on Indian street corners from Scroll.In

Julien de Casabianca ‘rescues’ the subjects of famous paintings from their frames and takes them for outings in the city.

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When French and Corsican visual artist Julien de Casabianca visited The Louvre, a museum filled with the work of universally revered artists like Leonardo da Vinci, Caravaggio and Rembrandt, he was inspired by an obscure painting featuring a beautiful young female prisoner. “I had a Prince Charming compulsion to liberate her from the castle,” he confessed.

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While the urge to swoop in and save the damsel was a primitive one, de Casabianca’s idea of rescue was unusual – he photographed the painting, printed an enlarged copy of it and pasted it on an old and decrepit wall in Paris.

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New Dale Grimshaw Street Art In Brick Lane

London Calling Blog

Last week saw Street Artist Dale Grimshaw set to create his latest mural in Hanbury Street just off of Brick Lane, ahead of his current solo exhibition ‘Pride & Prejudice’ at the well Hung Gallery in Hoxton (which we have been to see, is fantastic, and shall be reviewing soon). The fantastic work features a Papua New Guinea tribesman as its subject and is yet again a real delight to gaze upon. The work featuring Dale Grimshaw’s signature subject style, maintaining a preference for strongly tribal portraits, on this occasion accompanied with graffiti presented as part of the warriors decorative presetation. all fused with that air-brushed effect that makes for such exquisite images, enthused with a sense of passion and depth that is just fundamentally Dale Grimshaw, always an absolute pleasure to witness. This work was put up with support from Mark Hat, Monoprixx & Not Banksy Forum.

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