The British Library holds over a thousand Jain manuscripts, most of which were collected in the 19thCentury, by Indologists and East India Company officials. In a recent blog, Pasquale Manzo, the British Library’s Sanskrit curator, gives an overview of these manuscripts, and news that 33 of them have been digitised.
One of the collectors mentioned in this previous blog is Colin Mackenzie, the first Surveyor General of India. There are 21 Jain manuscripts, 18 of which are palm leaf manuscripts from Karnataka’s Digambara tradition, in the British Library’s Mackenzie Collection.
Siddhartha Gautama, the founder of Buddhism, was brought up to become a king, but he left his life of great comfort after encountering the ‘four signs’: an old man, a sick man, a corpse, and an ascetic. After six years of hardship, working to find the right spiritual path, he attained his ‘Great Enlightenment’, and became the Buddha. During the following forty-five years of his mission until he passed into Mahaparinirvana (the state of reaching the end of suffering) at the age of eighty, the Buddha walked widely throughout the northern districts of India, delivering his teachings to thebhikkhus (Buddhist monks) and laity in the places that he visited. The sixteen lands where he spent time during his long ministry can be found illustrated in many Burmese Buddhist cosmology manuscripts.
Shown below is a depiction of the sixteen sacred lands in a Burmese folding-book paper manuscript. The Buddha is seated in Bhumisparsa mudra (earth-touching posture) on a throne under the Bodhi tree at the centre. Around him are depicted the sixteen lands, with indications of the distances between the centre and each of these regions, varying from one day to two months of travel. The sixteen lands are labelled (clockwise from the top) Mithila, Sankassa, Jetuttara, Takkasila, Savatti, Kosambi, Kalinga, Mudu, Koliya, Kapilavastu, Campa, Varanasi, Rajagaha, Vesali, Pataliputta, and Pava.
Four-day event is billed as “the world’s largest non-commercial platform for South Asian art” 4 February 2016 – The Art NewsPaper
A key art-historical exhibition throwing new light on historic post-war works by South Asian artists forms part of the third Dhaka Art Summit in Bangladesh, which opens tomorrow (5-8 February). The show, entitled Rewind, features 12 artists including the late Bangladeshi practitioner Rashid Choudhury and Indian-born Monika Correa. The Indian art collector Amrita Jhaveri is sponsoring the exhibition, which is part of a programme encompassing solo art projects, group shows, panel discussions, and workshops.
Today at a href= http://www.sothebys.com target= _blank Sotheby’s /a in London, the single owner sale of The Sven Gahlin Collection, an unpar
Source: The Sven Gahlin Collection totals £4,560,716 at Sotheby’s; Double pre-sale estimate
A superlative exhibition Sultans of Deccan India opened at the Metropolitan Museum in New York in April with an important accompanying catalogue (Haidar and Sardar 2015). The arts of the Deccan (upland peninsular India) are among the rarest survivals from Muslim India and the exhibition concentrated on its greatest period, namely 1500-1700, so that the quality of the exhibits was uniformly high. The three major sultanates emerged from the earlier Bahmanid kingdom around 1490 and survived until conquered by the Mughals in the 17th century, when most of their paintings and manuscripts seem to have perished. The British Library has an outstanding collection of this rare material and several of the key pieces from it were lent to the exhibition. – See more at: http://britishlibrary.typepad.co.uk/asian-and-african/2015/06/british-library-loans-to-sultans-of-deccan-exhibition-in-new-york.html?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+asian-and-african+%28Asia+and+Africa%29#sthash.yt7hZN02.dpuf