Fan Ho’s touching Portrait of Hong Kong shows a lifetime of love for capturing the region Written by Tora Baker from Creative Boom

This spring, an exhibition at the Blue Lotus Gallery will showcase the last ever body of work by the celebrated and much-loved photographer and film director, Fan Ho.

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Born in Shanghai in 1931, Fan Ho delved into photography at the early age of 14 when he started taking pictures with a Kodak Brownie camera of his Father. Later, at the age of 18, his father bought him a twin lens Rolleiflex camera with which he took all his award-winning photographs.

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In 1949, Fan Ho’s parents moved to Hong Kong where the young Fan Ho continued pursuing his passion for photography, in particular for street photography. Dubbed the ‘Cartier-Bresson of the East’, Fan Ho’s works earned him close to 300 local and international photography awards and titles. His talent was also discovered by the film industry where he started out as an actor before moving into directing until his retirement at age 65.

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During his lifetime, Fan Ho taught photography and film-making at various universities worldwide. His works remain in private and public collections which, most notably, include that of M+ Museum (Hong Kong), Hong Kong Heritage Museum, Bibliothèque National de France, San Francisco Museum of Modern Art, Santa Barbara Museum of Art (USA) to name but a few.

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In 2015, he selected around 500 old negatives from his own archive which he then cropped in his signature style. After he sadly passed away, it took another year for the project to be completed with the help of his family and Sarah Greene. In this final body of work, the artist wanted to portray Hong Kong as a city with a focus on its people.

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“In 1959, when Fan Ho was 28, he wrote a book called ‘Thoughts on Street Photography’,” explains Sarah Greene. “It was a collection of essays explaining different schools of thought prevailing at that time, different approaches, explanations on how to compose a good photograph and where his own work fits into the spectrum of photography.”

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In the last chapter of that book, he concluded: “My photographs with a strong pictorial aesthetic are still highly favoured among the salons. Documentary style street photography or portraits are rarely selected although they are among my favourites. Maybe one day the opportunity will present itself for me to show this body of work. In the meantime, I will just keep trying.”

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“Portrait of Hong Kong shows a different type of work than what Fan Ho is famous for,” adds Sarah. “It provides a more natural record of a Hong Kong that has long be gone. A sincere wish he had cherished and expressed in his twenties has finally come to be.”

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Portrait of Hong Kong by Fan Ho will take place at Blue Lotus Gallery in Hong Kong from 22 March to 28 April 2019. Discover more at bluelotus-gallery.com.

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More: https://www.creativeboom.com/inspiration/fan-hos-touching-portrait-of-hong-kong-shows-a-lifetime-of-love-for-capturing-the-region/

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POP ARTIST MOAUD ABOULHANA: RECLAIMING THE FUTURE OF MOROCCO FROM ITS COLONIALIST PAST BY NIVEEN GHONEIM

Mouad Aboulhana delivers rapturous depictions of daily life in his native Tangiers, a city where the past and the present form a space-time continuum, using different mediums and techniques, such as stencil, graffiti, illustration, photography, and even video installations.

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Mouad Aboulhana delivers rapturous depictions of daily life in his native Tangiers, a city where the past and the present form a space-time continuum, using different mediums and techniques, such as stencil, graffiti, illustration, photography, and even video installations.

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Workers carry exaggerated furniture loads in Alain Delorme’s Totems photographs by James Brillon (from dezeen)

This photo series by French photographer Alain Delorme spotlights China‘s consumer society through doctored images of workers transporting teetering piles of furniture and other goods.totems-alain-delorme-photography-streets-china_dezeen_2364_col_3totems-alain-delorme-photography-streets-china_dezeen_2364_col_14totems-alain-delorme-photography-streets-china_dezeen_2364_col_15totems-alain-delorme-photography-streets-china_dezeen_2364_col_9-1704x1137totems-alain-delorme-photography-streets-china_dezeen_2364_col_4-1704x2553totems-alain-delorme-photography-streets-china_dezeen_2364_col_6-1704x1137totems-alain-delorme-photography-streets-china_dezeen_2364_col_0-1704x1137totems-alain-delorme-photography-streets-china_dezeen_2364_col_5-1704x1137totems-alain-delorme-photography-streets-china_dezeen_2364_hero-1704x958totems-alain-delorme-photography-streets-china_dezeen_2364_col_0-1704x1137totems-alain-delorme-photography-streets-china_dezeen_2364_col_6-1704x1137totems-alain-delorme-photography-streets-china_dezeen_2364_col_4-1704x2553totems-alain-delorme-photography-streets-china_dezeen_2364_col_15totems-alain-delorme-photography-streets-china_dezeen_2364_col_9-1704x1137totems-alain-delorme-photography-streets-china_dezeen_2364_col_14totems-alain-delorme-photography-streets-china_dezeen_2364_col_3totems-alain-delorme-photography-streets-china_dezeen_2364_hero-852x479

More: https://www.dezeen.com/2018/01/15/workers-carry-impossible-furniture-loads-alain-delorme-totems-photographs/?utm_medium=email&utm_campaign=Daily%20Dezeen%20Digest&utm_content=Daily%20Dezeen%20Digest+CID_c32b9b53b77c1f34d95853fca6835c39&utm_source=Dezeen%20Mail&utm_term=More

Flower Men That I Documented In Kolkata By​ Ken Hermann From Borred Panda

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Flowers are a hugely important part of Indian culture, used in everything from temple rituals to festivals and parties – and Malik Ghat flower market is the largest of its kind in India. Located in Calcutta, next to the Hooghly river, it attracts more than 2,000 sellers each day, who flock to peddle their blooms amid frantic scenes.

I got the idea for the project when I was there on another assignment some year before. I had a spare day in Kolkata and went to the flower market, its a beautiful and at the same time very stressful place – the market it one of the biggest flower market in Asia and is very busy.

 

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I got really fascinated by the place, especially the flower sellers got my attention. I really like the way they transport/carry their flowers, sometimes it almost looks like they were wearing big flower dresses. I like all these, sometimes strong and masculine men handling the flowers with so much care like it was their precious things.

 

I wanted to do the portraits on a plain and simple background so the Flower sellers really stand out, I like the way the different man pose with there different flowers – the masculine man and the beautiful flower.

Most of the people didn’t mind to have their photo taken, as long as it didn’t take long. All of the flower sellers were very busy selling their flowers and where very focus on not losing too much business while having their pictures taken.

Hopefully, people find the portraits interesting, even though some of the flower sellers are poor they are still very proud of what they do and I like that very much and hope people can see that.

More info: kenhermann.com

https://www.boredpanda.com/flower-men-india-ken-hermann/

 

Toys: Photographer documents 100 years of iconic must-have toys and games from Creative Boom

Featuring timeless classics from the yo-yo and the slinky, board games Cluedo and Mousetrap, to childhood companions in the form of Stretch Armstrong and Tickle Me Elmo, Toys is the ultimate celebration of beloved childhood relics.

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Captured by renowned photographer Kevin Fox, this series of images are now available in a new book of the same name, which includes interesting stories and facts behind each popular toy – from the LEGO bricks on the International National Space Station and the limited-edition perfume that smells of Play-Doh to the fact that Sophie the Giraffes sell more annually in France than babies are born and that Pope Francis and Miley Cyrus have both been spotted wearing Loom Bands.

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Accompanied by an essay by child development expert, Stevanne ‘Dr Toy’ Auerbach and packed with trivia on iconic toys and games that redefined play, this coffee-table book pays homage to items that defined a multitude of childhoods.

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Essential for lovers of design and nostalgia – and all big kids – Toys is a warm and insightful journey into the past that brings back the sense of anticipation we’ve all felt waiting to get our hands on that new must-have toy. Grab a copy of the bookto recall long lost memories of your childhood.

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Via Creative Boom submission | All images courtesy of Kevin Fox

More: http://www.creativeboom.com/inspiration/toys-photographer-documents-100-years-of-iconic-must-have-toys-and-games/

On the Night Bus: Beautiful but unsettling portraits of commuters on buses during winter

In his series On the Night Bus, photographer Nick Turpin’s portraits have an eerie and painterly quality. The steamed windows of the buses create an optical illusion; softening and blurring the faces of…

Source: On the Ni

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DEEP FOCUS: THE PHOTOGRAPHY OF ABBAS KIAROSTAMI by HG MASTERS, From ArtAsiaPacific

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By chance, a few weeks ago I came across an audio recording of an interview that I did with the late Iranian filmmaker and photographer Abbas Kiarostami in May 2013, when he was having an exhibition of his “Snow Series” (1999–2002) photographs at Rossi & Rossi gallery in Hong Kong. In the past few days, after learning that the legendary Iranian cineaste had died in Paris on July 4, I listened to that interview again and transcribed it. Our conversation lasted less than 30 minutes and Kiarostami was tired from his trip and eager to finish a pack of cigarettes that he claimed would be his last. We spoke through an interpreter, although Kiarostami understood many of my questions. He wore his trademark sunglasses while we sat at a desk in the back room of the gallery, so it was hard to see his eyes. He didn’t particularly seem to enjoy talking about his own photographs, and it took some time before he would give up information about them or about what he thought of the works. But his own comparison between the “Snow Series” and Japanese sumi-e brush-painting best revealed the kind of meditative precision he sought, as well as the kind of relationship to nature he was evoking. Though very different than his socially oriented films, his photographs are similarly pared down and intensely focused, and should also be seen as an effort to get directly to the essence of things.

More: http://www.artasiapacific.com/Blog/DeepFocusThePhotographyOfAbbasKiarostami

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