Chilean architect and illustrator Francisca Álvarez Ainzúa created “Architecture of the Portrait”: a series of illustrations of renowned architects drawn with the precision and accuracy of a fineliner. In order to choose the protagonists of her geometrical analyses, the architect states a preference for strong character and the presence of imperfections, which imparts a certain richness to the representation.
The architectural construction of the face is done using lines to create a hatch effect. Next, she adds color that pays tribute to the traditional default CAD shades: yellow, cyan and magenta.
Tracy Chevalier’s 1999 novel Girl with a pearl earring was inspired by the magnificent painting by the Dutch artist Johannes Vermeer. Griet, the heroine of the Chevalier novel, always wore a distinctive white cap. Chevalier explained that behind Griet’s symbolic cap was an idea originally from the Bible, which considered women’s hair to be seductive and therefore subversive. Chevalier built upon that idea, as if Griet’s cap served to shield the wilder and more sensual side of her persona that she did not want to reveal to others.
In Japanese folklore, more specifically the stories known as Otogizōshi 御伽草子, we find another girl who always wore an impressive object on her head. This extremely odd piece of headgear led her to be known as “the girl with a kneading bowl” (Hachikazuki 鉢かづき).
– See more at: http://britishlibrary.typepad.co.uk/asian-and-african/2015/03/an-alternative-cinderella-the-girl-with-a-kneading-bowl-not-a-pearl-earring.html?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+asian-and-african+%28Asia+and+Africa%29#sthash.GucxnZXK.dpuf