The many representations of the enigmatic steed that carried Prophet Muhammad on his night journey to heaven.
Over 100 rare objects from the 12th to 20th centuries are used to explore the role of the supernatural in Islamic Art at the Ashmoleon Museum in Oxford.
Power and Protection: Islamic Art and the Supernatural continues at the Ashmolean Museum of Art and Archaeology (Beaumont Street, Oxfordm England) at the University of Oxford through January 15, 2017.
In his series On the Night Bus, photographer Nick Turpin’s portraits have an eerie and painterly quality. The steamed windows of the buses create an optical illusion; softening and blurring the faces of…
Source: On the Ni
To celebrate our new series of South Asian seminars and especially the focus on food with Neha Vermani’s talk this evening Mughals on the menu: A probe into the culinary world of the Mughal eliteI thought I would write about our most ʻfoodyʼ Persian manuscript, the only surviving copy of the Niʻmatnāmah-i Nāṣirshāhī (Nasir Shah’s Book of Delights) written for Sultan Ghiyas al-Din Khilji (r.1469-1500) and completed by his son Nasir al-Din Shah (r.1500-1510). We are planning to digitise this manuscript in the near future but meanwhile I hope some of these recipes will whet your appetite.
Many artists during Japan’s Edo period designed ukiyo-e woodblock prints, but the works of Utagawa Hirokage stand out from many of these “pictures of the floating world” for their affinity for the absurd. A student of the famed Utagaway Hiroshige, Hirokage is perhaps most known for an incredible triptych of a battle between fruits, vegetables, and fish — but also for a successful series he published around 1860 titled Edo meisho doke zukushi, or Joyful Events in Famous Places in Edo. The 46 images set in present-day Tokyo are simply bizarre: scenes of a tiny octopus attacking people on a beach or of foxes carrying pumpkins are so ridiculous you can’t help but chuckle. Hirokage, in a sense, was churning out the memes of his time.
Today’s post is from guest contributor and regular visitor to Asian and African Collections, Sunil Sharma, Professor of Persianate and Comparative Literature at Boston University
British Library Or.7094 is an illustrated copy of the late Ottoman Turkish poetic work, Fazıl Enderunlu’s Zenanname (ʻBook of Womenʼ), which describes the positive and negative qualities of the women of the world along with satirical and moralistic parts at the end. The text is a poem in mesnevi form that was completed in 1793. I became interested in this work because typologies of women began to appear in Mughal and Safavid poetry and painting in the seventeenth and eighteenth centuries and there was the possibility of doing comparative scholarship across Persianate cultures.