Ferozkoh: Renewing the Arts of the Turquoise Mountain July/August 2015, Written by Lee Lawrence Photographs courtesy of Turquoise Mountain Institute

It is difficult to create art in isolation,” says master calligrapher Khwaja Qamaruddin Cheshti. The artist “needs to be surrounded by older art, and maybe he combines his skills with the inspiration he finds in older pieces.”

Cheshti is speaking through a translator from the Turquoise Mountain Institute for Afghan Arts and Architecture in Kabul, Afghanistan. A restored, 19th-century fort in the historic Murad Khane neighborhood, its alcoves topped with delicately pointed arches, it is a fitting backdrop to speak about two weeks he and more than a dozen Afghan artists and craftspeople spent in Doha, Qatar, at the Museum of Islamic Art—or mia—where Cheshti rediscovered this age-old truth.

More: http://www.aramcoworld.com/en-US/Articles/July-2015/Ferozkoh-Renewing-the-Arts-of-the-Turquoise-Mount

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