Exploring Ruzbihan’s palette: Ultramarine

Chester Beatty Conservation

This is the first of a number of posts which will explore the palette of the Ruzbihan Qur’an, the spectacular 16th century Persian manuscript currently at the centre of our exhibition Lapis and Gold: The story of the Ruzbihan Qur’an.

In late 2013 and early 2014, two rounds of non-invasive scientific analysis helped to identify the pigments used by calligrapher Ruzbihan Muhammad al-Tab‘i al-Shirazi and his team of artists. The pigment analysis was part of a larger research project to increase our knowledge of mid-16th century Shirazi artists’ materials and techniques, contributing to a fuller understanding of the working methodologies of Islamic book artists at this time.

Slide1.JPG Examining folios from the Ruzbihan Qur’an (CBL Is 1558) with scientists from MOLAB® (left) and curator Dr Elaine Wright (right) in the conservation lab.

The European Commission funded MOLAB® Transnational Access Service, sponsored two teams of dedicated scientists, who…

View original post 418 more words

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s