Sultans of Deccan India, 1500–1700: Opulence and Fantasy April 20–July 26, 2015 #DeccanSultans Purchase advance tickets to avoid waiting in admission lines. Exhibitions are free with Museum admission. Gallery 199 http://www.metmuseum.org/exhibitions/listings/2015/sultans-of-deccan-india

The Deccan plateau of south-central India was home to a succession of highly cultured Muslim kingdoms with a rich artistic heritage. Under their patronage in the sixteenth and seventeenth centuries, foreign influences—notably from Iran, Turkey, eastern Africa, and Europe—combined with ancient and prevailing Indian traditions to create a distinctive Indo-Islamic art and culture.

This exhibition will bring together some 165 of the finest works from major international, private, and royal collections. Featuring many remarkable loans from India, the exhibition—which is the most comprehensive museum presentation on this subject to date—will explore the unmistakable character of classical Deccani art in various media: poetic lyricism in painting, lively creations in metalwork, and a distinguished tradition of textile production.

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Attributed to the Bombay painter (probably named Abdul Hamid Naqqash). Sultan ‘Ali ‘Adil Shah II Shooting an Arrow at a Tiger (detail), ca. 1660. Bijapur. Ink, opaque watercolor, gold and probably lapis lazuli pigment on paper. The Ashmolean Museum, Oxford. Lent by Howard Hodgkin

The exhibition is made possible by the Gail and Parker Gilbert Fund, the Placido Arango Fund, the E. Rhodes and Leona B. Carpenter Foundation, the National Endowment for the Arts, and Cynthia Hazen Polsky and Leon B. Polsky. It is supported by an indemnity from the Federal Council on the Arts and the Humanities.

The catalogue is made possible by The Andrew W. Mellon Foundation, the E. Rhodes and Leona B. Carpenter Foundation, and the Doris Duke Fund for Publications.

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